![]() Patches, as with the Gamelan instrument, are divided into categories, which are: One note combos, Atmopsheres, Instrumentals, Loops and Percussive. Again, there are FX chain presets and the X/Y pad can control various parameters, and again, it will respond to MIDI CC, in this case CC 14 and CC 15 by default. Speaking of FX, each patch, has a master FX section with six slots plus an X/Y pad. ![]() Each of this four FX has depth control possibilities, and there are even some FX chains presets for some quick design. Speaking of presets, each of the four presets, has also some advanced page with some extra parameters to tweak, which are an ADSR envelope, conv, pitch – which again has its very own LFO and envelope for modulation, high pass filter and low pass resonant filter with independent LFOs for modulation, plus, LPF has a dedicated envelope and Velocity settings.įinally, each of the four presets has their own four slots fx section with a variety of filters, EQ, compressor, a couple of saturators, cabinet simulation, modulation fx, reverb and transient shaper. Each preset, can also respond in a different way to velocity and have their own pan and volume settings, in fact, both pan and volume can be modulated with independent LFOs and/or Envelopes, so, yes, modulation possibilities are huge! The morphing between the two samples on each preset can also be played in real time, automated or step sequenced. This X/Y pad can be played in real time (it responds to MIDI CC, which by default is CC 18 for the X and CC 19 for the Y) automated or step sequenced. To not repeat myself, I’m not gonna go that deep in how this works, but basically, every patch is made of four different presets -which in turn, are made of two different samples each- with an X/Y pad, very similar to the joystick found in the Prophet VS, which allows modulation and morphing between the four presets. The GUI and basically how it works, it’s pretty much the same as with the SampleLogic Gamelan which I’ve reviewed a while ago. OverviewĪs I’ve mentioned, this is a 30 Gb Kontakt instrument that can do a lot, but, as the name itself suggests, its primary use would be for scoring cinematic pieces and accents. After spending a couple of days downloading the new CINEMORPHX Kontakt library from Sample Logic (yeah, took me longer than I thought, but, again, we’re talking about a 30 Gb library, so, you just need some patience), I could finally spent some quality time with it, and I tell you, it was probably my best moment this week, so, let’s check out what this Kontakt instrument can do. ![]()
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